Category: Drug Fear

• Jazz and Drugs

  The Jazz and Drugs theory held that jazz did not simply accompany vice districts, nightlife, and narcotic subcultures, but actively produced drug desire through its rhythm, tonal structure, and physiological effects. In some versions, syncopation was said to weaken self-command; in stronger versions, specific “frequencies” in jazz were believed to make the brain crave opium or other intoxicants. The theory grew in the 1920s out of overlapping panics about jazz, race, nightlife, and narcotics. Because jazz was visibly associated in hostile commentary with dance halls, urban underworlds, and emotional excess, it became possible to claim that the music itself functioned like a preparatory intoxicant.