Category: Corporations

• Diesel Engine Sabotage

  An industrial-era theory claiming that oil and gasoline interests targeted inventors, engineers, and entrepreneurs connected to highly efficient diesel technology in order to keep transportation dependent on petroleum retail networks. In its classic form, the theory centers on Rudolf Diesel’s 1913 disappearance and later expands into a broader belief that efficient diesel passenger-car development was repeatedly suppressed to preserve the dominance of gasoline.

• The Ford Mustang (1964) as a Distraction

  A youth-culture theory claiming that the Ford Mustang was launched not only as a commercial “pony car” for young buyers, but as a symbolic release valve. In this view, the car gave postwar youth a purchasable feeling of speed, independence, and personal freedom that helped absorb antiwar energy and redirect rebellion into consumer aspiration rather than organized protest.

• The Great Reset of 1945

  A theory that World War II did not truly end one power order and replace it with another, but instead reorganized a shared corporate and financial structure operating across both Allied and Axis worlds. In this telling, 1945 was not victory versus defeat so much as a global rebranding: cartels were broken up on paper, empires were restyled, and the same industrial interests continued under new legal, political, and national labels.

• The Standard Oil and the Electric Car (Again)

  A postwar fuel-suppression theory claiming that a revolutionary high-mileage carburetor or fuel-vapor system appeared around 1947, could deliver roughly 100 miles per gallon or more, and was then buried by oil interests and intelligence services. In most versions, the inventor was bought off, threatened, disappeared, or died under suspicious circumstances, and the device was removed to protect petroleum markets and the internal-combustion status quo.

• The I.G. Farben Global Monopoly

  A theory that World War II was not fundamentally a clash of nations but the violent restructuring of a transnational chemical-industrial order centered on I.G. Farben and its cartel relationships. In this telling, war itself functioned as the coercive phase of a global merger among chemical, fuel, dye, pharmaceutical, and materials empires.